Not from around here
11/May/2010
This is one of several illustrations I’m working on
for a short-stroy Sci-Fi anthology a friend of mine
has written. You can read the story for this drawing
here. I’m working on the
inked version of the drawing next. I’ll post it
when it’s done.
Animated Steampunk story
16/April/2010
The Mysterious Geographic Explorations of
Jasper Morello.
This is a wonderful short film done in a very gothic, victorian, “silhouetted steampunk” by director Anthony Lucas. A well told story and absolutely captivating illustration style. Learn more about the film and it’s creator here: jaspermorello.com/gazette

This is a wonderful short film done in a very gothic, victorian, “silhouetted steampunk” by director Anthony Lucas. A well told story and absolutely captivating illustration style. Learn more about the film and it’s creator here: jaspermorello.com/gazette

Process
02/April/2010
I love to watch video’s like this, and see the
process other artists and illustrators use to get to
the finished product. It’s one thing to see a piece
of art and marvel at the completed piece and
appreciate, or recoil from the concept and idea
behind it, but to get to watch it made, is like
performance art.
Beer labels
10/December/2008
One of my hobbies is brewing my own beer. It’s a fun
diversion from my graphic art, but I can’t help
having a bleed over. I like to design my own labels
for my beer. Here are three new labels for three
batches I brewed so far this season.
I’m going for a retro/traditional look with some modern elements. I used Chaparral Pro for the serif face and Myriad Pro for the san serif.
I’m going for a retro/traditional look with some modern elements. I used Chaparral Pro for the serif face and Myriad Pro for the san serif.
Supreme Beings neat graphic video
21/November/2008
Roy Lichtenstein
18/March/2008
I've been a fan of Roy Lichtenstein's comic book pop
art for years. I always wondered how many of his
paintings were taken from comic books and did he copy
the comic panels directly or make changes to them to
improve the composition? Well now there are some
answers, thanks to David Barsalou and his Deconstructing Roy
Lichtenstein project. Originally an exibit
at the Springfield Massachusetts Gallery, he now
has a flickr site that contains a ton of the
source material. It's an interesting
deconstruction of the wonderful work
Lichtenstein created.
A really interesting read is the Great Bazooka Bubble Gum Wrapper Myth of 1961, A look into the controversy over whether Lichtenstein stole Andy Warhol's idea. Neat.
"... So, I went home and called Andy - no, I think, I went right over to Andy's house... and so, I said, 'Prepare yourself for a shock.' And he said, 'What?' I said, 'Castelli has a closet full of comic paintings.' And he said, 'You're kidding?!' And he said, 'Who did them?' And I said, 'Somebody by the name of Lichtenstein.' Well, Andy turned white. He said, 'Roy Lichtenstein.' He said, 'Roy Lichtenstein used to... ' - as I remember, he used to be a sign painter for Bonwit Teller, and here's where I'm a little bit confused because Andy... couldn't get anybody to show his early cartoon paintings, so he went to Gene Moore and Gene Moore said, 'Well I can put the paintings in the windows...' He put them in the 57th Street window... As I remember, the implication was: Andy felt that Lichtenstein had seen the paintings in the window and gave him the idea to do his paintings..."
A really interesting read is the Great Bazooka Bubble Gum Wrapper Myth of 1961, A look into the controversy over whether Lichtenstein stole Andy Warhol's idea. Neat.
"... So, I went home and called Andy - no, I think, I went right over to Andy's house... and so, I said, 'Prepare yourself for a shock.' And he said, 'What?' I said, 'Castelli has a closet full of comic paintings.' And he said, 'You're kidding?!' And he said, 'Who did them?' And I said, 'Somebody by the name of Lichtenstein.' Well, Andy turned white. He said, 'Roy Lichtenstein.' He said, 'Roy Lichtenstein used to... ' - as I remember, he used to be a sign painter for Bonwit Teller, and here's where I'm a little bit confused because Andy... couldn't get anybody to show his early cartoon paintings, so he went to Gene Moore and Gene Moore said, 'Well I can put the paintings in the windows...' He put them in the 57th Street window... As I remember, the implication was: Andy felt that Lichtenstein had seen the paintings in the window and gave him the idea to do his paintings..."
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